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Hastings (Rollo's Blood) 2 van Young Kartel — hoes
NummerWA-Mjy4qm9aRB5R

Hastings (Rollo's Blood) 2

vanYoung Kartel

TrapDonker140 BPMF-mineur4:47
SongtekstEngelsGelicentieerd voor locaties
0:00van 4:47
−4:47

Songtrailer (30 s)

Het krachtigste fragment van het nummer, met de WeavyAudio-kaart: 30 seconden. De videopagina openen

Over Hastings (Rollo's Blood) 2

«Hastings (Rollo's Blood) 2» is een donkere song in het genre trap, van Young Kartel (140 BPM, F-mineur, 4:47, gezongen in het Engels), van het album «Serpent of the Frozen Void». Dit nummer maakt deel uit van de catalogus van WeavyAudio en is gelicentieerd voor weergave in koffiebars, restaurants, sportscholen, winkels en andere locaties.

Meer: trap zonder extra royalty’s. Meer op sfeer: donker. Van het album Serpent of the Frozen Void. Licentie voor uw locatie.

Credits

Genre
Trap
Sfeer
Donker
Tempo
140 BPM
Toonsoort
F-mineur
Duur
4:47
Zang
Engels
Licentie
Gelicentieerd voor locaties

Trefwoorden

  • Style: dark Viking trap / Nordic battle rap. Aggressive
  • raw male vocals paired with female techno featuring a fast
  • technical flow
  • set against heavy
  • deep taiko and frame drums
  • string drones
  • fiddles (tagelharpa
  • nyckelharpa)
  • war horns (carnyx
  • lur)
  • plus low male throat singing and choral battle cries. Dark
  • atmospheric pads
  • gradually building orchestral sections
  • and a cold
  • raw mood. Brutal
  • heroic
  • battle-ready energy with epic drops. Tempo: approx. 120–140 BPM.

Toegevoegd 3 maanden geleden · 2-8-2026 · gelicentieerd voor gebruik op locatie

Songtekst· volgt de audio

Hastings (Rollo's Blood) 2 – songtekst

Intro

(Hastings! Hastings!)

Rollo walked to Paris — I sailed to Pevensey...

(Hu-ha!) Seven hundred ships — October — the sea

Between two worlds closing — no residency

(Hastings!) The Viking became Norman became king — all three...

Verse 1 — William

Bastard they called me — mother a tanner's daughter —

Father Robert the Magnificent — the water

Between legitimacy and what I'd sought for

Didn't stop the coronet I thought for.

Harald Godwinson swore on holy relics —

Swore the English throne was mine — the metrics

Of an oath broken clean — the politics

Of a perjured king — my casus belli fix.

Seven hundred ships at Saint-Valery waiting —

Two weeks of wind — the Normans contemplating

Whether God was with the crossing — I was stating:

He is — we go — the Channel worth the taking.

Pevensey landed — built the castle — moved to Hastings —

Harald force-marched south from Stamford — no more restings

After Hardrada's death — the double tastings

Of two battles in three weeks — his army wastings.

Shield wall on the ridge — we broke it with the feinted

Retreat — they chased — the line thinned — I pointed

The cavalry back — the English slope anointed

With the last Saxon blood — the age disjointed.

Pre-Chorus — both

Matilda: I held Normandy while he crossed — that's the calculus (calculus)

William: she ran the duchy better than my apparatus —

(better than me...)

Both: the Viking blood through Rollo's line came back to face us —

Hastings closed the age the longships gave their status. (uh!)

Chorus — both

Seven hundred ships — October — the grey (the grey!)

Harald fell at Stamford — nineteen days (nineteen days!)

Shield wall broken — English throne — William's day (William's day!)

Rollo's blood wrote England — Hastings pays! (Hu-ha!)

Verse 2 — Matilda

They said I refused him — yes — the first approaching —

A bastard duke's proposal — the encroaching

Of ambition over lineage — the coaching

Of a Flemish count's daughter needed more coaxing.

He came back different — I don't tell the method —

What matters is I read him and I headed

Toward the only man whose drive embedded

Itself in every obstacle it shredded.

I governed Rouen while he crossed the water —

Signed the writs, held the vassals — every quarter

Of Normandy intact — the duchy's mortar

Was me while he was England's blood and slaughter.

I came to England after — saw the building —

Westminster rising — Domesday's gilding

Of every hide of land — the careful gilding

Of a Viking into kingship — no more shielding.

Rollo walked to Paris — that was Song forty-four —

I'm his blood five generations from that shore —

William's blood — same root — the Norman core —

The Viking never left — he just changed the door.

Pre-Chorus — both

Matilda: I held Normandy while he crossed — that's the calculus (calculus)

William: she ran the duchy better than my apparatus —

(better than me...)

Both: the Viking blood through Rollo's line came back to face us —

Hastings closed the age the longships gave their status. (uh!)

Chorus — both

Seven hundred ships — October — the grey (the grey!)

Harald fell at Stamford — nineteen days (nineteen days!)

Shield wall broken — English throne — William's day (William's day!)

Rollo's blood wrote England — Hastings pays! (Hu-ha!)

Bridge — trading

William: Harald Hardrada at Stamford — Norse blood north —

(Norse blood north...)

I crossed from the south — same autumn — same worth —

(Norse blood south...)

Two Viking lines ended the age — one earth —

England changed hands twice in nineteen days of worth.

Matilda: the Bayeux Tapestry records it all in thread —

(the thread holds...)

My women's hands may well have sewn the dead —

(sewn it clean...)

Two hundred thirty feet of linen spread —

(Skál to Hastings! Skál — the Viking age has fled!)

(Rollo's blood closed what Rollo's blood had bred!)

Drop — Instrumental

Chorus — both

Seven hundred ships — October — the grey (the grey!)

Harald fell at Stamford — nineteen days (nineteen days!)

Shield wall broken — English throne — William's day (William's day!)

Rollo's blood wrote England — Hastings pays! (Hu-ha!)

Outro

(Hastings! Hastings!)

October 14, 1066...

(Hu-ha!)

Harald Hardrada — September 25.

Nineteen days.

Two Norse bloodlines.

One English autumn.

The Viking Age

ended

the way it began —

with a ship

and a shore

and a name

nobody forgot.

(Rollo walked.

William sailed.

The longship

became

England.)

Uit de catalogus

Ook op WeavyAudio

WeavyAudio StudioWA-Mjy4qm9aRB5R

Kant A

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