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Echoes of the Infinite 2 de Kelvin Drift — portada
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Echoes of the Infinite (versión 2)

deKelvin Drift

Synth-PopSegura de sí misma120 BPMmi menor6:35
LetrainglésCon licencia para locales
0:00de 6:35
−6:35

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«Echoes of the Infinite (versión 2)» es una canción segura de sí misma del género synth-pop de Kelvin Drift (120 BPM, mi menor, 6:35, cantada en inglés). Forma parte del catálogo de WeavyAudio y cuenta con licencia para su reproducción en cafés, restaurantes, gimnasios, tiendas y otros locales.

Más: música de Synth-Pop libre de regalías. Más por estado de ánimo: segura de sí misma. Licencie la pista para su local.

Créditos

Género
Synth-Pop
Estado de ánimo
Segura de sí misma
Tempo
120 BPM
Tonalidad
mi menor
Duración
6:35
Voz
inglés
Licencia
Con licencia para locales

Palabras clave

  • epic cinematic electronic composition in the style of Electronic
  • New age
  • Synthpop

Añadida hace 3 meses · 2/8/2026 · con licencia para su reproducción en locales

Letra· sigue el audio

Echoes of the Infinite (versión 2) – letra de la canción

INTRO – COSMIC OVERTURE

(analog tape hiss + deep sub drone + distant radio signal)

…sequence initiated…

(stereo field slowly opens like a horizon in space)

PAD LAYER

* Moog-style warm evolving pad (slow filter sweep, gentle resonance drift)

* Oberheim string ensemble (wide stereo detune, cinematic depth)

* ARP-inspired arpeggiator bed (soft attack, gradual emergence)

* deep bass drone (subsonic, continuous, felt more than heard)

VERSE 1 – THE VOID SPEAKS

A silent ocean carved in time,

Where stars dissolve into design.

No ground, no sky, no edge, no form,

Just frequencies before the storm.

Each photon hums an ancient tone,

A memory in glass and stone.

The universe in analog breath,

Between creation and quiet death.

(ARP sequence enters)

* layered vintage arpeggiators (slow 80–120 BPM pulse)

* stereo ping-pong delay with long feedback trails

* gradual filter modulation for organic motion

HARMONIC LAYER

* rich evolving chord progression (minor to modal shifts)

* orchestral electronic fusion pads (string machine + synth hybrid)

* expansive reverb (hall + plate blend, cathedral-like space)

BUILD 1

The silence bends…

The void expands…

A distant pulse…

Begins to stand…

ETHEREAL CHOIR

Ahhh… ahhh… ahhh…

DEEP VIKING BARITONE CHANT

(Nordic male voice, distant, ritualistic, heavily reverberated)

From frozen void we carve our fate…

Beyond the stars, beyond the gate…

No crown above, no earth below…

Only the path the cosmos know…

VERSE 2 – COSMIC JOURNEY

We sail through rivers made of light,

Through endless dusk and endless night.

Each orbit sings a fractured name,

Of worlds erased and yet the same.

Galaxies in slow descent,

Through waves of sonic sediment.

The stars dissolve into the air,

As if they never lingered there.

* minimal melodic lead (3–5 notes)

* slow evolution with delay trails

* subtle pitch drift and harmonic bloom

ARP LAYER

* interlocking modular-style sequences

* gentle polyrhythmic layering

* analog filter resonance sweeps (slow, organic)

BUILD 2 – ASCENSION

(Nordic chant grows stronger, closer in mix)

Baritone Voice:

Við erum börn hins óendanlega…

We are children of the infinite…

Born of frost and cosmic flame…

We carry silence, we carry name…

Ahhh… ahhh… ahhh…

ORCHESTRAL ELECTRONIC FUSION

* analog string ensemble (Oberheim-inspired lush pad stack)

* Moog bass drone (warm, resonant foundation pulse)

* soft electronic timpani hits (deep cinematic accents)

* evolving harmonic pad layers (multi-layer spectral bloom)

CLIMAX – MAIN THEME

* soaring analog lead synth (vintage saw lead, slight detune, emotional tone)

* dense arpeggio lattice (multi-layer ARP sequences in stereo field)

* synthetic choir + pad fusion (cathedral-scale spatial depth)

* deep sub bass foundation (slow pulsing resonance)

MELODY:

(simple, heroic, ascending motif with repetition and variation)

daaa… da… daaa…

daaa… da… daaa…

NORDIC BARITONE FINAL CHANT

Through endless night we carve the flame…

Through silent void we speak no name…

We are the echoes yet to form…

We are the calm before the storm…

OUTRO – COSMIC DISSOLUTION

* arpeggios slowly detune and fade

* analog filters gradually close (low-pass decay)

* choir stretches into spectral noise

* tape hiss becomes dominant layer

…we are not lost…

…we are becoming signal…

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Lado A

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Lado B

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