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Night Shift Shuffle — Nightbus Theory cover art
Track

Night Shift Shuffle

Nightbus Theory·UK Garage·Upbeat·English·2:28·124 BPM·A minor·🎤 Lyrics· Fully cleared

Night Shift Shuffle lyrics

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Lyrics

Intro

Lose it, lose it

Floor knows my name

Verse

Hands up, hips loose

Kick drum in my shoes

Can't find where I end

Where the bassline begins

Chorus

Lose myself, lose myself

Floor got a hold on me

Lose myself, lose myself

Nowhere else I'd rather be

Verse

Lights cut low and slow

Strangers move like they know

My name in the sway

Melting into the haze

Pre-Chorus

Who am I, don't ask

Just the beat and the bass

Skin and sound, one thing

Let the four-count take everything

Chorus

Lose myself, lose myself

Floor got a hold on me

Lose myself, lose myself

Nowhere else I'd rather be

Outro

Lose it, lose it

Gone in the sound

UK Garage · Upbeat · 124 BPM · 2:28 — Melancholy night-transit garage, detuned Rhodes chords, muted sub throbs, distant bus-brake foley, tape-saturated hats, late-night, swung, club-ready energy, soulful house, two-step drum shuffle, organ stabs, A minor, female: hushed low-mid speak-sing, drowsy phrasing, unaccented late-night murmur

#Melancholy night-transit garage#detuned Rhodes chords#muted sub throbs#distant bus-brake foley#tape-saturated hats#UK Garage#late-night#swung#club-ready energy#soulful house#two-step drum shuffle#organ stabs#124 BPM#A minor#female: hushed low-mid speak-sing#drowsy phrasing#unaccented late-night murmur
Added 1 week ago · 9/14/2026 · fully cleared for venue play

About Night Shift Shuffle

Night Shift Shuffle is an upbeat UK garage song by Nightbus Theory (124 BPM, A minor, 2:28, sung in English). It is part of the WeavyAudio catalog and licensed for commercial playback in cafés, restaurants, gyms, stores and other venues.

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©2026 WeavyAudio · Licence & copyright

Every track is original music owned by WeavyAudio and licensed to subscribers for public performance at their registered locations — background music in cafés, shops, restaurants, gyms and other venues. It is produced with commercially-licensed tools and human-reviewed before release, so no third-party PRO royalties (ASCAP · BMI · PRS · GEMA · ZAiKS) apply. Recording, redistributing, re-broadcasting or reselling the audio is not permitted. Full terms in the licence agreement.

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