WeavyAudio
Open app →
Two Step to Nowhere — Nightbus Theory cover art
Track

Two Step to Nowhere

Nightbus Theory·UK Garage·Upbeat·English·2:42·124 BPM·🎤 Karaoke· Fully cleared
0:00
—:—
Lyrics · synced

Intro

Half asleep, feet still moving

Verse

Name slips off like a coat on the rail

Lost my count on the fourth hi-hat

Floor tilts soft where the bassline trails

Don't know where I put my name at

Chorus

Two step to nowhere

Two step to nowhere

Gone where the kick drum leads

Two step to nowhere

Verse

Someone's shoulder, someone's shirt

Lights go amber, lights go grey

Can't feel the difference, floor or air

Just the same four steps, drifting away

Pre-Chorus

Where'd my name go

Where'd the walls go

Only the low end knows

Chorus

Two step to nowhere

Two step to nowhere

Gone where the kick drum leads

Two step to nowhere

Bridge

No shoes, no name, no clock on the wall

Just the hum in my knees and the sway in it all

Not lost, not found, just folded in

Somewhere between the skin and the din

Chorus

Two step to nowhere

Two step to nowhere

Gone where the kick drum leads

Two step to nowhere

Outro

Still moving

Still nowhere

Still moving

UK Garage · Upbeat · 124 BPM · 2:42 — Melancholy night-transit garage, detuned Rhodes chords, muted sub throbs, distant bus-brake foley, tape-saturated hats, bouncy, sparse, half-asleep energy, speed-garage bassline, 2-step drums, organ bass stabs, reversed vocal swell, A minor, female: hushed low-mid speak-sing, drowsy phrasing, unaccented late-night murmur

#Melancholy night-transit garage#detuned Rhodes chords#muted sub throbs#distant bus-brake foley#tape-saturated hats#UK Garage#bouncy#sparse#half-asleep energy#speed-garage bassline#2-step drums#organ bass stabs#reversed vocal swell#124 BPM#A minor#female: hushed low-mid speak-sing#drowsy phrasing#unaccented late-night murmur
Added Today · 9/14/2026 · fully cleared for venue play
Open in WeavyAudio →
Share
©2026 WeavyAudio · Licence & copyright

Every track is original music owned by WeavyAudio and licensed for unlimited commercial use — public performance in venues, streaming, social media, video, podcasts and advertising. It is produced with commercially-licensed tools and human-reviewed before release, so no third-party PRO royalties (ASCAP · BMI · PRS · GEMA · ZAiKS) apply. Redistribution or resale of the raw audio file itself is not permitted. Full terms in the licence agreement.